Awarded Grants

Search or browse below to see past awarded Field of Interest grants. You may search by recipient organization name, project name, or city. Additionally, in the sidebar you may filter the grants displayed by year, interest or grant amount.

B.C. Society of Transition Houses

Increasing Access for Aboriginal Women

The project, Increasing Access for Aboriginal Women, has two major aims. First, to consult with transition houses that serve Aboriginal Women on and off reserve and to consult with Aboriginal women who have either previously accessed transition house services or those who have been turned away from accessing transition house services in a minimum of two communities across BC. Second, based on the research, to develop and implement promising practices to better serve Aboriginal Women, to pilot these practices and to externally evaluate these practices to see if Aboriginal Women are able to access transition houses and if they are served in a culturally appropriate manner while accessing these services. All aspects of the project will be led by a project Advisory Committee and overseen by a Project Coordinator. The project Advisory Committee will be comprised of transition houses that serve a large number of Aboriginal Women, Aboriginal Women with lived experience, BC Housing, Aboriginal Housing Management Association, Provincial Office of Domestic Violence for BC and other groups.

Toward a Learning Centre

This project seeks to develop an online knowledge resource where programs can share best practices and policies in helping women and children fleeing violence. It will identify and provide access to online training tailored to meet workers’ needs. It will transform existing training modules into an accessible on-line format to enable the training of workers to meet their clients needs.

Balcone Art Society

Vancouver Now: Emerging Artists' Portfolio Series

The project will provide a forum to articulate the idea of "Vancouver Now" from the perspective of emerging and culturally diverse artists and curators. Through Decoy Magazine's website, we will publish a series of emerging visual artists' portfolios investigating specific topics in Vancouver's current socio-economic and cultural situation in relation to the city's history and projected future. Concretely, we will commission 3 Vancouver-based emerging curators to develop the content of a portfolio series, each showcasing the work of 3 emerging Vancouver-based artists. Organized as 3 thematic portfolios series, the final outcome of this project will consist of the online exhibition of the work of 9 emerging artists and publication of 3 critical texts produced by the participating curators. Exhibiting this project through a flexible online platform will enable us to present artworks produced in multiple formats and medias, while not being limited by the durational and spatial constraints associated with traditional exhibition venues.

Ballet BC


Ballet BC is seeking support for the commissioning, development and creation of a full-length program of contemporary ballet inspired by The Rite of Spring. The ground-breaking 1913 collaboration between choreographer Vaslav Nijinsky and composer Igor Stravinsky had monumental impact on 20th century music and dance for its bold rhythmic, tonal and choreographic language that is still considered revolutionary more than 100 years after its premiere. Drawing on the spirit of innovation and risk-taking that is the legacy of The Rite of Spring, RITE, will include two innovative World Premieres to be performed in our 2014-15 Season in May 2015. The first part of the program will highlight an interdisciplinary collaboration between Ballet BC Artistic Director and choreographer Emily Molnar with Vancouver-based designer, Omer Arbel and composer Jeremy Schmidt. Part two of the program will be a newly-conceptualized, full company contemporary ballet choreographed by Spanish choreographer Gustavo Ramirez Sansano, using Stravinsky's original musical score.

Ballet Victoria Society

Ballet Victoria's Dracula

To open Ballet Victoria's 12th season, the company will create a new full-length narrative ballet based on Bram Stoker's classic gothic novel, Dracula. Ballet Victoria will create a unique score comprised of: modern music mixed by Jason King with special effects, a pair of commissioned sections (a tango by Ruy Boff and a classical section by Robert McBride) as well as a selection of works by Gustav Mahler, Arvo Part, and Knut Nystedt. The present-day setting and plot of this production will make it unique and more widely appealing. The demanding choreography will be rooted in classical ballet vocabulary (pointe work) with a strong emphasis on contemporary movement quality. As with the recent successful production of Frankenstein, Paul Destrooper's Dracula will incorporate humour and popular culture references in his effort to recount the story of the infamous vampire as he attempts to fit in new surroundings. Ballet Victoria strives to bring the highest technical and artistic quality to all its creations, as well as appeal to as wide audience and introduce many to the art form.

The Secret Garden & Other Works

Ballet Victoria's The Secret Garden & Other Works is a two-act program that features a mixed repertoire of classical and contemporary works including: Le Jazz Hot, by BC resident Jacques Lemay (premiered by principal dancers Evelyn Hart and John Kaminski at the Royal Winnipeg Ballet); Bruce Monk's Noctiluxe (music by Debussy) and a new work by BC resident and RWB alumni Gisele Plourde (music by Petr Eben on four-hands piano, The Little Green Forest). Vancouver-based concert pianist Sarah Hagen will accompany the dancers along with a cellist and violinist for The Secret Garden (Haydn), a narrative ballet inspired by Michael Shamata's adaptation of Burnett's novel (1911). This original creation by Paul Destrooper showcases the technical and dramatic skills of the dancers as they guide audiences through this deeply emotional story about the paralyzing effects of loss on one's social and physical environment and the innate wisdom in children's imaginations. The ballet is set in Victoria and reflects elements of the city's architectural and natural landscape.

Bard on the Beach Theatre Society

Bard on the Beach – Building Sustainable Equity, Diversity and Inclusion

The communion of theatre actors and audiences can lead to deeper understanding and respect for the human condition in all its colours. To fulfill that potential, theatre-making processes must embed a full range of voices and lived experiences. To serve that end, Bard’s project will challenge and create change in its artistic and education programming and practices. It will create new collaborative partnerships with underserved individuals and communities. The core goal is to build the values and practices of equity, diversity and inclusion into every aspect of the organization. Results will be measured and assessed, learning applied to ongoing work, and results shared with the community.

Bard on the Beach - Community Diversity

Our proposed project is an overall Community Diversity Strategy that is aligned with three categories: 1. Training/Employment: We will expand our Artistic Associates by adding two new positions to include more gender and culturally diverse voices. Bard’s Associates are involved in aspects of artistic planning including programming, casting and development activities. These new Associates will identify new projects, build new relationships, and work on increasing diversity in our audience. In addition, we will hire cultural consultants for specific productions to protect cultural sensitivities. We will increase the Bard Studio workshops and train more diverse performers, increasing the number of qualified artists to be employed on our stage and across Canada. Bard’s artistic team will travel throughout Canada to identify and collaborate with more diverse artists. 2. Education: We will add additional Bard in the Classroom and Neighbourhood workshops (provided for free); develop a Distance Education Streaming Education component; and train more Teaching Artists to establish a more diverse roster of teachers for all our programs. We will host and engage in community wide forums to discuss diversity issues, share our findings and encourage others to be more inclusive of many perspectives and voices. 3. Development of New Work: We will develop diverse plays from different cultures through the Bard Lab Program and focus on engaging more gender diverse playwrights and creators.

Enhanced Training and Coaching Initiative

We hope to create the Bard Artist Training Department, expand on our existing training offerings and build a strategic three year plan to make a significant contribution to artist training in Vancouver. We will create a Head of Training and Coaching position who along with the Artistic Associates will identify what training will be most beneficial, source and consult with appropriate coaches, and create a curriculum that addresses the ongoing needs of the company and community. Over the course of three years, we will expand and enhance existing training opportunities by adding time and additional instructors and experts; we will increase the honorarium for participants making training more accessible and we will offer more coaching resources throughout the performance season, ensuring the health and safety of our company. We also plan on developing a workshop program for the community year-round, welcoming local and international master instructors, and will offer professional development opportunities to our artistic staff to benefit both the Bard Company and greater arts community.

Production of Elizabeth Rex by Timothy Findley

The staff and Board of Directors of Bard are currently in the midst of a strategic review of the Festival's mission, vision and values. Part of the strategic review is examining Festival programming possibilities beyond the Shakespeare canon. In 2012 Bard commissioned an Angus Reid survey that concluded 7 of 10 patrons would support Bard expanding its repertoire to include works by his contemporaries or a Bard related '˜twist'. Elizabeth Rex, received its premiere production at Stratford, Ontario in 2000. The play brings together Queen Elizabeth I, William Shakespeare and his acting troupe on the eve of the execution of Robert Deveraux Earl of Essex, the rumoured lover of Queen Elizabeth. The universal themes explored by Canadian playwright, Timothy Findley, will appeal to traditional Shakespeare audiences as well as those who may not otherwise be attracted to a Shakespeare play. Elizabeth Rex will be rehearsed in repertory with Measure for Measure for 7 weeks in May/June, 2013 and be presented at Bard on the Beach Shakespeare Festival in July thru early September.

New Play Adaptation & Production of HENRY VI, THE WARS OF THE ROSES

Henry VI, The Wars of the Roses will be the premiere production of this newly adapted work to be presented at Bard on the Beach Shakespeare Festival in 2011. An original work that distils the texts of three plays into one, it will be rehearsed by the Bard Studio Stage company over a 6 week period along with Richard III and then play for 38 performances alongside Richard III in 2011.

Barking Sphinx Performance Society


This project is to create, develop and present Flee, a new work by three of Vancouver's most dynamic and innovative artists -- composer, cellist and improviser Peggy Lee, playwright-director David Hudgins and lighting designer Itai Erdal. Flee will be a darkly humorous and Kafkaesque tale in which the dialogue between music, visual storytelling, movement and theatre reveals the unseen and unknowable forces that liberate and bind us. Inspired by the once-popular phenomenon of the flea circus, Flee examines the interplay between composition and improvisation, bringing the audience closer to the life and nature of musicians and in particular, improvisers -- a nature that is vulnerable, rebellious, risky and curious. Flee will be a hybrid of live performance, an integrated narrative in and around the "action" of the acoustic concert. A piece that zooms in on life as we deny it, Flee scratches below the surface and probes the underbelly for what little we know about the cruelty and compassion of creatures caught in extreme times. Flee will be presented at the Roundhouse, June 14-20, 2013.

Battered Women's Support Services

Assessing the intersections of race and gender in police response to Black, Indigenous, and women of colour experiencing gender-based violence in BC.

The WHO identifies the following effects of GBV on women: death, disability, HIV, depression, and PTSD. Although the police and legal systems are mandated to support GBV victims, there is evidence that battered Black, Indigenous and women of colour (BIWOC) receive harmful responses from the police. This research enables action through a reflective cycle, where community members and services collect and analyze data together to assess police protection of BIWOC victims of gender-based violence.

BIPOC Operating Grants

In 2020, Vancouver Foundation launched a new granting initiative to offer flexible, general operating grants of up to $50,000 for BIPOC-led organizations in B.C., to support their work in racial equity and racial justice.

Youth Engagement in Violence Prevention Pilot Project


BC Aboriginal Child Care Society

Transitions for Urban Indigenous Children and Families: Documentation and Partnership Development

This project responds to parent and early childhood educator concerns about transitions to formal schooling for urban Indigenous children, and the difficult conversations that are necessary—especially concerning cultural safety—among urban Indigenous early childhood education and schools. It is important to document challenges and gather invested partners to create changes to systems to properly support urban Indigenous children and families’ transitions on their terms, and those of UNDRIP. The project also explores the challenges of supporting requisite Indigenous leadership and related partnership development in an era of reconciliation among Indigenous and non-Indigenous peoples.

BC Association of Community Response Networks

Forming Community Response Networks to address adult abuse and neglect

As our population ages, there is more abuse, neglect and self-neglect among vulnerable adults. Financial abuse is the most common form of senior abuse. Community Response Networks (CRNs) are a proven vehicle for service providers and community members to develop a coordinated response in the detectection, intervention and prevention of abuse. Currently, there are no CRNs in Vancouver and the Lower Mainland (except on the North Shore). This project is designed to work with local communities within the city and surrounding municipalities over a three-year period to form up to 10 CRNs.

BC Association of Pregnancy Outreach Programs

Identifying Barriers for Pregnancy Outreach Programs to Engage and Retain Pregnant Participants in BC

Engaging with hard-to-reach pregnant participants has always been a priority for POP workers as they work towards improving health outcomes for the most vulnerable and marginalized. Challenges have only been exacerbated due to years of under-funding and the pandemic. In collaboration with the Centre for Excellence in Women’s Health, BCAPOP will work alongside our community to begin to unpack the complex health issues surrounding the urgent questions being brought forward about the significant decrease in pregnant people accessing POPs. We will develop a research question and create participatory action research plan to access further funding.

BC Centre for Elder Advocacy and Support

Elder Abuse Prevention Workshops

BCCEAS has an excellent education took kit that it has used to train staff and volunteers of senior serving agencies in British Columbia, with great success. With funding from the Vancouver Foundation, we can extend the program to train many more senior volunteers within the Metro Vancouver area. The project involves training five older adult volunteers and staff at ten agencies, who would then facilitate 50 workshops about preventing elder abuse. BCCEAS will provide ongoing support even after the project term is over, so that the initiative is sustained.

BC Centre for Employment Excellence

Top 20 Disability-Confident Companies in Vancouver

Currently, many lists exist outlining the “top 20 diverse companies” or the “top 10 companies to work for”, but the BC Centre for Employment Excellence (BC CFEE) aims to put together a top 20 disability-confident list of employers in British Columbia (BC). This list will be developed to identify companies that are welcoming and inclusive to individuals with disabilities within their workplaces. As well, the disability-confident list of employers will be shared with service providers in the employment services sector in BC or recruiters who work with people with disabilities, which will help increase access to the labour market.

The Face-to-Face Project: Bringing Youth with Disabilities and Employers Together

The Face-to-Face Project was born out of the need to find creative solutions that improve labour market integration for youth with disabilities. These are individuals who have a great deal to offer as employees but too often struggle in marketing their abilities to employers using traditional methods. For The Face-to-Face Project, youth (age 18 to 25) with disabilities will be recruited from employment organizations in BC to participate in a fun and engaging employer networking opportunity. The youth will initially be referred to local employers who will engage them in mock interviews and networking scenarios. In addition to providing the youth with information about their businesses, employers will have the opportunity to speak with them about their career aspirations. The employers will then refer the youth to a second employer, who will meet with the youth in an informational interview. The project will wrap up with a half-day dialogue forum for project participants and an evaluation that captures implementation lessons and effective practices.

BC Farm Museum Association

Interactive Presentation Terminals

We plan to incorporate six interactive presentation terminals into our displays to explain and demonstrate the purpose of the heritage artifacts. "Show and Tell" is an effective manner to pass on historic knowledge. By incorporating advances in technology, we can provide a unique experience for our visitors and further our educational goals. We propose to construct kiosks with interactive terminals and place them about the museum. Each unit would consist of a tablet connected to a television with a supporting structure. We create {or have created} and present program content. Program content at each station would consist of information regarding the artifacts the visitors are viewing. This information could include actual stories or demonstrations of real pioneers using the artifact in their every day life. We also plan to allow our program content to be accessible across technological boundaries as well as cross language and cultural boundaries.

BC Living Arts

Angel's Bone: Helping to end Human Trafficking one performance at a time.

Human trafficking represents the darkest effects of a patriarchal society and requires all people to look more closely at what allows it to exist. This project brings together social workers, survivors, lawyers, human rights activists and opera artists to collaborate on producing, Angel’s Bone, a contemporary opera depicting human trafficking. The opera serves as an artistic lens and collaborative tool to bring visibility to this issue and shed light on how and why it is able to exist in our communities. In producing it in this way, we aim to empower all society to collaborate on addressing this deeply rooted issue and the social values holding it in place.

Angel’s Bone: Addressing human exploitation in our communities through operatic performance

Angel’s Bone is the pulitzer-prize winning opera by Chinese-American composer, Du Yun and Canadian librettist, Royce Vavrek. The opera explores the dark motivations and effects of modern day slavery and human trafficking through the story of two angels who journey to our world to experience the delights of earth. When the angels arrive, they encounter Mr. and Mrs. Xe who lure them into an exploitative situation. In producing this opera and developing a series of community outreach events, this project takes a creative approach to raising awareness of the human exploitation that occurs in our community and the extensive resources available to the public to aid in combating human trafficking.

Acis and Galatea: A Gender Liberation Opera

This project will present a re-conceptualized performance of G. F. Handel’s 18th c. opera, Acis & Galatea at The Orpheum Annex, Sept. 15-17, 2017. In this re-telling, both lead characters will be portrayed by and depicted as women. The story follows their romantic relationship and the persecution they and their LGBTQ community face as a result of their sexual orientations. This project will generate a social dialogue about the struggles and underrepresentation of the LGBTQ community as it has existed throughout the centuries and it will serve as a platform for producers and artistic directors from four unique Vancouver cultural institutions (re:Naissance Opera, BC Living Arts, Early Music Vancouver, Cor Flammae) to collaboratively address these issues in their respective creative programming. With this project, we will promote systemic change by: -Testing a collaborative production model and developing a prototype for future artistic collaborations amongst Vancouver and BC cultural institutions. -Demonstrating how artistic productions and programming - in this case - opera, can be adapted and presented in a way that promotes positive representations of the LGBTQ community and other underrepresented people in the classical music world. -Using the outcomes of this collaborative production to encourage other Vancouver cultural institutions to consider how their artistic programming might better address and elevate the role of the LGBTQ community in our cultural history.